The Viennese Tale of English Music
A powerful 18th-century British music society experiments with the genius of girls to determine whether women truly have souls.
I. Roger Craven (The Celebrated Maestro)
A musical prodigy is transformed from a boy the world should never have known into the celebrated heart of England’s famed Academe. For the Academe, with great omnipotence comes the eternal race to maintain it. This excerpt in development explores the heavy burden of genius, the institutional pressure to secure a legacy, and the precarious intersection of talent and artifice.
Music: Selections from “Brigte” Symphony and Cantus Academus by Nefertiti Van der Riese
II. Amelia Eaves (The Outcast Maestra)
An excerpt from the book in development. (This audio features a rough draft excerpt, which does not interfere with the narrative flow or arc)
Listen to Amelia’s introductory arc:
III. Amelia & Roger
An excerpt from the book in development. (This audio features a rough draft excerpt, which does not interfere with the narrative flow or arc)
Listen to the introductory arc of Roger and Amelia’s relationship:
History Behind The Tale
Another Difficult History
The Viennese Tale’ confronts another intentionally degenerative social artifice: The story is structured as a Manichean Leitmotif, but where it conveys ‘degenerative’ movement is instead used to explore the actual degenerating intentions of structural (and physical) class violence and structural (and physical) racial and sexual caste violence. It also depicts the challenges of what we today understand as “allyship.”
- Categories:
- In Development
- THE SOSO ADAE BAR
- Tags:
- Classical Music
- literature
- Music