DEI FYI: Recasting Black People in White Fictions is Never The Answer
Recasting Black people in White fictions will never be the answer to anti-Blackness in fiction.
Recasting Black people in White fictions will never be the answer to anti-Blackness in fiction.
That time I attended a spoken word Grammy workshop.
Black people have been uniquely targeted for disinformation since before being brought to this land, and it has become a model for how other “undesirable” groups are targeted.
There are Publishers Weekly Reviews and Publishers Weekly Booklife Reviews. PW Reviews are not guaranteed; they are free reviews selected and written at the discretion of the Publishers Weekly editor based on which books she/he/they think will be commercially important. And then there are Booklife Reviews […]
We’ll take our raw story about a paper cup from the Narrative Device exercise and give it some movement with action and suspense.
if Dina had simply condemned herself to an eternal “dark” place away from the light of her prince and others, without changing her skin color, would we have cornered the racism in that idea?
Let’s look at how audience was put into our micro story about a paper cup based on what is explained versus what is understood.
The idea behind this exercise is that an ideas doesn’t make a good story, craft makes a good story, and a writer should be able to move a reader with a story about anything—even a paper cup!
Using ADF for story development can help writers avoid “borrowing” anti-Blackness from non-African languages, allowing them to make their stories more empathetic, more meaningful, and more “Black.”
Black literary imagination tends to start in foreign places and then, somehow, find its way home.