ADF Basics: How to Write A Story About A Paper Cup
The idea behind this exercise is that an ideas doesn’t make a good story, craft makes a good story, and a writer should be able to move a reader with a story about anything—even a paper cup!
The idea behind this exercise is that an ideas doesn’t make a good story, craft makes a good story, and a writer should be able to move a reader with a story about anything—even a paper cup!
We’ll take our raw story about a paper cup from the previous What Is Story? exercise and give it some narrative awareness.
Dramatic character controls the dramatic line and character elements. The dramatic line represents the cycles of set-up, action, and suspense that create movement, imagery, and meaning in story, ultimately ensuring that
In fiction writing and analysis, the three primary controls (or trees) of ADF are dramatic form, dramatic character, and dramatic mask.
The negative aesthetic is the practice of creating imagery from a Black center and the process of identifying and rethinking anti-Black imagery so that it becomes from a Black center.
Using ADF for story development can help writers avoid “borrowing” anti-Blackness from non-African languages, allowing them to make their stories more empathetic, more meaningful, and more “Black.”